X. Lee, based in Los Angeles, defines their voice by the integration of interaction, electronics, multimedia visuals, gesture/movement performance, spatial design, and the synthesis of acoustic and electronic elements. Their renowned background as a DJ and producer in the techno subculture, juxtaposed with their extensive education and training in classical composition, theory and practice, has given them a unique understanding of the relationship between music, technologies, and the human experience. The fully immersive energy and large-scaled audio-visual interactions of “raves” inspires them to take the abstract concepts and aesthetics of techno into their personal electro-acoustic works. They have participated in summer festivals such as the Conservatoire Americaine de Fontainebleau – under the mentorship of François Paris, Martin Matalon, and Allain Gaussin – and Contemporary Music Creation + Critique at Institut de Recherche et Coordination Acoustique/Musique (IRCAM), which ran alongside ManiFESTE. Their audio-visual electronic works have won calls for scores both from Ensemble Mise-En for Bushwick Open Studios and from Listening to Ladies for Ensemble Ctrl-Z. Most recently, they were featured on the Eastman School of Music’s radio show featuring trans and gender non-binary contemporary composers. In fall 2018, X. Lee will continue their studies in the Cursus Program at IRCAM.