Custom of the Coast is a new opera interweaving the life stories of Anne Bonny, an 18th century Irish pirate who escaped execution by “pleading the belly,” and Savita Halapannavar, the Indian-born, Irish-based dentist who died in 2012 having been denied an abortion.
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This concert performance will be the culmination of a weeklong residency at Potash Hill, sponsored by Works & Process and Experiments in Opera. Composer Kamala Sankaram and librettist Paul Muldoon will participate in a moderated discussion following the performance.
Anchal Dhir: Savita
Rocky Duval: Anne Bonny
with Flux Quartet
Praised as “strikingly original” (NY Times), composer Kamala Sankaram moves freely between the worlds of experimental music, creative music, and contemporary opera. She has been commissioned by the Glimmerglass Festival (as 2022 artist-in-residence), Washington National Opera, Houston Grand Opera, Wolf Trap Opera,and the PROTOTYPE Festival, among others. Known for pushing the boundaries of form and style, she has created work for the Brooklyn Botanic Garden (as 2023 artist-in-residence), an opera for the trees of Prospect Park (as winner of the 2021 Creative Time Open Call), an augmented reality music walk for Van Cortlandt Park in the Bronx, a techno-noir featuring live datamining of the audience, and the world’s first virtual reality opera, among other pieces. As a biracial Indian-American and trained sitarist, Kamala has drawn on Indian classical music in many of her works, including Thumbprint, A Rose, Monkey and Francine in the City of Tigers, and Jungle Book. Dr. Sankaram holds a PhD from the New School and is currently a member of the composition faculty at the Mannes School of Music. www.kamalasankaram.com
Paul Muldoon is an Irish poet and professor of poetry, as well as an editor, critic, playwright, lyricist and translator. He was born in Co. Armagh in 1951. Muldoon is the author of thirteen collections of poetry including Frolic and Detour (2019), One Thousand Things Worth Knowing (2015), Maggot (2010), Horse Latitudes (2006), Moy Sand and Gravel (2002), Hay (1998), The Annals of Chile (1994), Madoc: A Mystery (1990), Meeting the British (1987), Quoof (1983), Why Brownlee Left (1980), Mules (1977) and New Weather (1973).
He has also published innumerable smaller collections, works of criticism, opera libretti, books for children, song lyrics and radio and television drama. His poetry has been translated into twenty languages. Muldoon served as Professor of Poetry at Oxford University from 1999 to 2004 and as poetry editor of The New Yorker from 2007 to 2017. He has taught at Princeton University since 1987 and currently occupies the Howard G.B. Clark ’21 chair in the Humanities.
Paul Muldoon is a Fellow of the Royal Society of Literature and the American Academy of Arts and Letters. Among his awards are the 1994 T. S. Eliot Prize, the 1997 Irish Times Poetry Prize, the 2003 Griffin International Prize for Excellence in Poetry, the 2003 Pulitzer Prize for Poetry, the 2004 American Ireland Fund Literary Award, the 2004 Shakespeare Prize, the 2006 European Prize for Poetry, the 2017 Queen’s Gold Medal for Poetry, and the 2018 Seamus Heaney Award for Arts & Letters. He is the recipient of honorary doctorates from ten universities.
Paul Muldoon has been described by The Times Literary Supplement as ‘the most significant English–language poet born since the Second World War’. Roger Rosenblatt, writing in The New York Times Book Review, described Paul Muldoon as ‘one of the great poets of the past hundred years, who can be everything in his poems — word–playful, lyrical, hilarious, melancholy. And angry. Only Yeats before him could write with such measured fury.’