A new series co-produced by National Sawdust and The Metropolitan Opera that Navigates Questions of What Qualifies as Opera and Who Opera Is For Through Explorations of Modern Works
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The compelling conclusion to this three-part series unveils the forefront of operatic innovation, offering a deep dive into the symbiosis of traditional support and cutting-edge creation in opera. This event compares the Metropolitan Opera’s groundbreaking initiative of presenting 17 contemporary works over the next five seasons with National Sawdust’s visionary plan to commission five new pieces in their 2024–25 season. The discussion will center on the transformative impact of these artistic endeavors by exploring the Met’s dedication to works by living composers and examining the pivotal role a burgeoning institution like National Sawdust can play in supporting this progressive shift.
PANELISTS
Kevin Puts, Composer of The Hours
Jeanine Tesori, Composer of Grounded
Tim Long, Conductor of Malcolm X
PERFORMANCES BY
Eve Gigliotti, mezzo-soprano
Brittany Renee, soprano
Brad Moore, piano
MODERATOR
Ana De Archuleta, Managing Director of National Sawdust
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