Join us for a roundtable discussion with the composers of A WORTHY MIRROR, moderated by poet and critic danilo machado. This roundtable will explore how A WORTHY MIRROR translates lyric poetry into new compositions, forefronts female and anonymous femme voices in medieval canon, and reflects upon themes of gender, self, and relationships across time.

ONLINE ZOOM // RSVP FOR FREE
February 7, 2024
6:00 pm
BUY TICKETS
This event has passed

What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.

Join us on February 7th at 6pm for a roundtable discussion with the composers of A WORTHY MIRROR, a commissioning project from early music revivalists Alkemie that puts 12th-century poet-composers in conversation with their modern counterparts. Moderated by poet and critic danilo machado, this roundtable will explore how A WORTHY MIRROR translates lyric poetry into new compositions, forefronts female and anonymous femme voices in medieval canon, and reflects upon themes of gender, self, and relationships across time. 

A WORTHY MIRROR world premieres at National Sawdust on February 25th.

Presented by National Sawdust’s MOTIF, a digital-first platform of arts, innovation, and ideas presented by National Sawdust to engage the arts through a filter of human rights, access, participation, and equity.

This roundtable is being video recorded and photographed. By joining the zoom, you consent to being photographed, filmed or otherwise recorded as well as to the distribution or use of any of these photographs and recordings in perpetuity. By joining the zoom, you waive and release any claims to media created at or related to this filming.

About danilo machado

Born in Medellín, Colombia, danilo machado is a poet, curator, and critic living on occupied land interested in language’s potential for revealing tenderness, erasure, and relationships to power. A 2020-2021 Poetry Project Emerge-Surface-Be Fellow, their writing has been featured in Hyperallergic, Art in America, Poem-A-Day, Art Papers, ArtCritical, The Recluse, GenderFail, No, Dear, Long River Review, TAYO Literary Magazine, among others. They are the author of the collection This is your receipt and is not a ticket for travel (Faint Line Press, 2023) and the chaplets wavy in its heat and to be elsewhere (Ghost City Press Summer Series, 2022).

An honors graduate of the University of Connecticut, danilo is Producer of Public Programs at the Brooklyn Museum and curator of the exhibitions Otherwise Obscured: Erasure in Body and Text (Franklin Street Works, 2019), support structures (Virtual/8th Floor Gallery, 2020), We turn (EFA Project Space, 2021), and Eligible/Illegible (co-curated with Francisco Donoso, PS122, 2023). danilo has contributed writing to exhibitions including at CUE Art Foundation, Henei Onstad Kunstsenter, Miriam Gallery, Abrons Art Center/Boston Center for the Arts, Second Street Gallery, and Real Art Ways and, with Em Marie Kohl, danilo co-hosts the monthly queer reading series exquisites. They are working to show up with care for their communities.

About Alkemie

Alkemie is passionate about exploring and celebrating the vibrant and timeless sounds of the past. Our musical journey transports us to the world of medieval court and folk music, and we are fervently committed to dismantling the barriers that have traditionally separated these two domains and our present experience. Comprised singer-performers playing two dozen instruments–including vielles (early fiddles), harps, psaltery, scheitholt (early zither), recorders, douçaines & dulcians (early double reeds), bagpipes, and percussion— Alkemie’s performance at the Indianapolis Early Music Festival was lauded as “enchanting” and “indicating [the] future health of the field of early music.”

Feb 7

MOTIF presents A WORTHY MIRROR Roundtable

UPCOMING