The electric Bang on a Can All-Stars play an intimate concert of music by Bang on a Can co-founder Julia Wolfe – a set of new, recent, and ‘classic’ works featuring Wolfe’s signature combination of driving rock energy and minimalist serenity. Join Bang on a Can and National Sawdust for this end-of-year holiday hang as the All-Stars offer a sneak-preview of Wolfe’s Flower Power and more. Limited seating!
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
BANG ON A CAN ALL-STARS
Kebra-Seyoun Charles – bass
Vicky Chow - piano
David Cossin - percussion
Arlen Hlusko - cello
Mark Stewart - guitar
Ken Thomson - clarinet, bass clarinet, saxophone
Garth MacAleavey - sound engineer
Program - music by Julia Wolfe
Lick (10')
Big Beautiful Dark and Scary (9')
Reeling (6')
Flower Power (preview) (30')
Julia Wolfe
Julia Wolfe’s music is distinguished by an intense physicality and a relentless power that pushes performers to extremes and demands attention from the audience. She draws inspiration from folk, classical, and rock genres, bringing a modern sensibility to each while simultaneously tearing down the walls between them.
Wolfe’s recent premieres include Pretty, premiered in June 2023 by conductor Kirill Petrenko and the Berlin Philharmonic. Co-commissioned by the Berlin Philharmonic, Houston Symphony, Philadelphia Orchestra, and the St. Louis Symphony Orchestra, Pretty is a raucous celebration — embracing the grit of fiddling, the relentlessness of work rhythms, and inspired by the distortion and reverberation of rock and roll.
UnEarth, commissioned and premiered in June 2023 by the New York Philharmonic, is a large-scale work for orchestra, men’s chorus, and children’s chorus that addresses the climate crisis. Performed in three movements, the 40 minute piece is realized with spatial staging and scenic design projected on a large circular screen.
Her Story, a 45-minute semi-staged work for orchestra and women’s chamber choir, received its world premiere in September 2022 with the Nashville Symphony, conductor Giancarlo Guerrero, the vocal ensemble Lorelei, and stage direction by Anne Kauffman. Co-commissioned by the Nashville Symphony, Chicago Symphony Orchestra, Boston Symphony Orchestra, San Francisco Symphony, and National Symphony Orchestra, Her Story invokes the words of historical figures and the spirit of pivotal moments to pay tribute to the centuries of ongoing struggle for equal rights and representation for women in America.
In addition to receiving the 2015 Pulitzer Prize in Music, Wolfe was a 2016 MacArthur Fellow. She received the 2015 Herb Alpert Award in Music, and was named Musical America’s 2019 Composer of the Year. Julia Wolfe is co-founder/co-artistic director of New York’s legendary music collective Bang on a Can, and she is Artistic Director of NYU Steinhardt Music Composition.
Her music is published by Red Poppy Music and G. Ricordi & Co., New York (ASCAP) and is distributed worldwide by the Universal Music Publishing Group.
Bang on a Can All-Stars
Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today. Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Meredith Monk, George Lewis, Louis Andriessen, Ryuichi Sakamoto, Terry Riley and dozens more. Current and recent project highlights include In C, a new dance collaboration with Sasha Waltz & Guests based on Terry Riley’s minimalist classic; Julia Wolfe’s Flower Power for Bang on a Can All-Stars and orchestra, premiered with the L.A. Philharmonic; Can Dance, a brand new multimedia concert of collaborations between composers, filmmakers and choreographers; performances of the band's much beloved arrangement of Brian Eno's classic Music for Airports; Road Trip, an immersive and visually stunning concert collaboratively-composed by Bang's founders Michael Gordon, David Lang, and Julia Wolfe; plus the touring performances and recordings of Wolfe’s Pulitzer-Prize winning Anthracite Fields and groundbreaking Steel Hammer. With a massive repertoire of works written specifically for the group’s distinctive instrumentation and style of performance, the All-Stars have become a genre in their own right. The All-Stars record on Cantaloupe Music and have released past recordings on Sony, Universal and Nonesuch.
About Bang on a Can
Founded in 1987 by composers Michael Gordon, David Lang, and Julia Wolfe, Bang on a Can has been creating an international community dedicated to innovative music, wherever it is found, and has grown from a one-day New York-based Marathon concert to a multi-faceted performing arts organization with a broad range of year-round international activities. In addition to its festivals LOUD Weekend at MASS MoCA and LONG PLAY, current projects include live.bangonacan.org, a digital streaming platform launched during the pandemic with an ongoing schedule of live streamed concerts and world premiere performances of new commissions; The People's Commissioning Fund, a membership program to commission emerging composers; the Bang on a Can All-Stars, who tour to major festivals and concert venues around the world every year; recording projects; the Bang on a Can Summer Music Festival at MASS MoCA, a professional development program for young composers and performers led by today’s pioneers of experimental music; Asphalt Orchestra, Bang on a Can’s extreme street band that offers mobile performances re-contextualizing unusual music; Found Sound Nation, a new technology-based musical outreach program now partnering with the State Department of the United States of America to create OneBeat, a revolutionary, post-political residency program that uses music to bridge the gulf between young American musicians and young musicians from developing countries; cross-disciplinary collaborations and projects with DJs, visual artists, choreographers, filmmakers and more. Each new program has evolved to answer specific challenges faced by today’s musicians, composers and audiences, in order to make innovative music widely accessible and wildly received. Bang on a Can’s inventive and aggressive approach to programming and presentation has created a large and vibrant international audience made up of people of all ages who are rediscovering the value of contemporary music. Bang on a Can has also recently launched its new digital archive, CANLAND, an extensive archive of its recordings, videos, posters, program books, and more. Thirty-three years of collected music and associated ephemera have been digitized and archived online and is publicly accessible in its entirety at www.canland.org. Bang on a Can has created a large and vibrant international audience made up of people of all ages who are rediscovering the value of contemporary music. www.bangonacan.org