6:30pm doors • 7pm show
with openers STEFA* (album release) & Jody
The iconoclastic electrofeminist Madame Gandhi brings her distinctive, unforgettable music to National Sawdust with an evening of activist art. Having toured internationally as the drummer for M.I.A. and Thievery Corporation, Madame Gandhi’s “The Future Is Female” shot to the top of the viral charts in the wake of the 2017 Women’s March, cementing her reputation as a politically engaged artist fighting for gender equity after her headline-grabbing decision to run the London Marathon while free-bleeding and her consistent, impassioned advocacy for improved access to menstrual products. Hailed as one of Vogue’s “stars who continue to shine on a global stage“, Madame Gandhi is not an artist to be missed.
Kiran holds a Bachelor’s Degree in Mathematics, Political Science and Women’s Studies from Georgetown (COL ’11) and an MBA from Harvard Business School (2015), and has used her degrees to run her own musical project as well as advise music companies Spotify, Stem, Bonnaroo and D’addario. Between 2011-2013, Kiran worked at Interscope Records for two years as their first ever digital analyst, studying patterns in Spotify and YouTube consumption behavior.
In 2015, she ran the London Marathon free-bleeding to combat period stigma around the world, sparking a global viral conversation about how we treat menstruation in various cultures. She now travels often to perform and speak about modern gender equality, and is also working on her full-length album. Madame Gandhi’s mission is to elevate and celebrate the female voice.
Kiran grew up between New York City and Bombay, India, playing drums and attending The Chapin School. She graduated from Georgetown University in 2011 with a double major in mathematics and political science and a minor in women’s studies.
Upon graduation, she landed a job in Los Angeles as Interscope Records’s first-ever digital analyst. Combining her passion for mathematics and music, her job was to understand music consumption patterns on Spotify and YouTube, predict sales trends based on these new volume metrics and create an internal system for how the label could understand the success of an artist online.
In 2013, Kiran linked up with Grammy-nominated artist M.I.A. and began touring internationally with her as her drummer all across North America, Europe, Asia and Latin America. That same year, Kiran was also accepted to Harvard Business School’s M.B.A. program, and so when she began school in the fall in Boston, was still touring simultaneously with M.I.A. Kiran’s TEDx talk on “Atomic Living” embodies her belief that by knowing and protecting the things that matter to you most, life’s toughest choices become easier to navigate.
As an activist, Kiran uses her voice, music and written work to empower her audiences to be their best and authentic selves. She believes wholeheartedly in the idea that we must strive to live in a world that is “linked and not ranked”, in which each person has something unique to contribute to one another, and therefore we must equip each person with the environment they need to access their fullest potential. Kiran has partnered with various menstrual health organizations to improve women’s access to affordable and safe menstrual care. She speaks often about how menstruation taboo affects women and girls daily around the world, and was part of the early round table discussions that lead to the elimination of the “luxury tax” on tampons in her home city of New York.
Upon releasing her first-ever electrofeminist solo EP called Voices, Madame Gandhi now tours full-time as a speaker and musician and is working on her next album.
Inspired by STEFA*’s family and secrets that are still only partially revealed, Sepalina tells the tale of a native alien and how she came to inhabit this planet, washed up on shore in the present, stripped of her memories and her language. “My mother recently uncovered things about my grandmother’s life that has shocked the entire family – she’s become this mystery character who can’t speak for herself because she’s gone, and so everyone is trying to piece together her story. I was told my indigenous side comes from her, so I started researching the tribe she was from, the Emberá-Chamí.”
She describes: “I felt I had to go back in time in order to begin to understand my present. I started looking up anything I could find online of the Emberá people — chants, songs — I found one and tried transcribing what they were singing, listening and writing down whatever vowel sounds and phrases I could hear forming – and so I transcribed ‘Sepalina’.”