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Twice a month, the National Sawdust Log takes a closer look at the new age, interviewing musicians who are using unconventional methods to climb the ladder.
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Twice a month, the National Sawdust Log takes a closer look at the new age, interviewing musicians who are using unconventional methods to climb the ladder.
It was only a matter of time before classical music found itself mired in the sexual harassment and abuse reckoning now sweeping through American industries, from Hollywood to news media, politics, and beyond.
Twice a month, the National Sawdust Log takes a closer look at the new age, interviewing musicians who are using unconventional methods to climb the ladder.
National Sawdust (NS), the unparalleled artist-led incubator in Brooklyn’s Williamsburg neighborhood, has announced the theme of its third season: Origins. Bringing its progressive values to the forefront, the non-profit assembles an extraordinary lineup of multicultural curators from six continents, whose programming celebrates diversity in culture through diversity in music.
A weekly tally of memorable things National Sawdust Log editor Steve Smith has stuck in his ears, including the Seattle Symphony Orchestra, Gabriel Kahane, Yarn/Wire, and Séverine Ballon.
In this week’s On the Record, guitarist and composer Gyan Riley talks about his new solo abum, ‘Sprig,’ which arrives on March 30, one day after a record-release celebration at National Sawdust.
This week in On the Record, Los Angeles bassist and composer Scott Worthington and IIKKI label founder Mathias Van Eecloo share details of ‘Orbit,’ an elegant new LP and art book due March 19.
A weekly tally of memorable things National Sawdust Log editor Steve Smith has stuck in his ears, including recordings featuring Chaya Czernowin, Toshiya Tsunoda/Taku Unami, the New York Philharmonic, and Anne Guthrie.
In this week’s On the Record, read an interview with John Zorn about his Masada odyssey, from beginning to end, and hear exclusive streaming excerpts from his new limited-edition box set, ‘The Book Beriah.’
This week in On the Record, Eve Essex talks about her return to musical performance after stints as a performance artist and marketing director, and how she created her debut solo album, ‘Here Appear.’