https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/YB1.jpg 2628 3957 David Weininger https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png David Weininger2017-05-23 15:55:082017-12-27 20:02:06Yellow Barn: Taking It to the Streets
Yellow Barn, the famously intrepid summer chamber music festival, is bringing the concept of “taking the show on the road” to a new level. In October 2015, the center introduced Music Haul, a mobile stage in the back of a truck that allows Yellow Barn’s musicians to perform virtually anywhere it can travel to. Having already visited Boston, Baltimore, and Dallas, Music Haul is undertaking its most ambitious voyage yet: “Music No Boundaries: NYC,” a nine-day residency.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/hrbiopic3-2012.jpg 3744 5616 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-18 06:22:592017-12-27 20:02:13Mariel Robert and Eric Wubbels: Intensity and Immersion
As both a member of the highly regarding Mivos Quartet and as a solo artist in her own right, cellist Mariel Roberts has demonstrated an affinity for uncompromising music and a capacity for making even the most challenging works sing. Composer Eric Wubbels is among the numerous beneficiaries of Roberts's advocacy – his gretchen Am Spinnrade, a duo for cello and piano, is featured on Roberts's new CD, Cartography, with Wubbels himself at the piano. In advance of an album-release concert at National Sawdust on May 19, as well as a New York Philharmonic Contact! program that includes Wubbels's katachi coming up at National Sawdust on May 22, the two sat down recently at a neighborhood café to compare experiences and agendas.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/DavidLang.jpeg 960 1440 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-12 17:32:262017-12-27 18:55:04Album review: David Lang, thorn
For all that his large-scale works have commanded the spotlight over the last decade or so, David Lang initially burst into the public eye and ear with pithy, concise, and clever chamber works… On 'thorn,' an appealing new CD by flutist Molly Barth, Lang's puckish instrumental miniatures assume center stage.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/tignor.jpg 984 1682 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-04 11:59:072017-12-27 20:02:18Tristan Perich and Christopher Tignor: Intuitive Processes
Though it's not exactly a case of "opposites attract," those who know the music of composer-performers Tristan Perich and Christopher Tignor might not automatically pair the two creators despite a shared association with electroacoustic music and technical ingenuity. Yet in a recent interview in advance of their joint appearance at National Sawdust on May 5, they discovered a healthy amount of overlap in their working methods and philosophies.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/IMG_1287.jpg 2448 3264 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-02 18:20:032017-12-27 20:02:23In Review: Philip Glass, A Madrigal Opera
How do you invite an audience into an opera that has no characters to relate to, no story to follow? The inventive director RB Schlather, mounting A Madrigal Opera as the final entry in his engaging, productive National Sawdust residency, approached that challenge in an artfully literal-minded way, mingling members of the stellar vocal ensemble Choral Chameleon among the audience and engulfing them all within an elegantly simple, smartly realized common frame of reference.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/Mariela.jpg 5719 3940 Xenia Hanusiak https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Xenia Hanusiak2017-04-27 14:48:222017-12-27 20:02:30In Review: The Canales Project
For every musician, their instrument is their most prized possession. For refugees, this instrument can also be the passport to freedom and safety. This was the case for Syrian musician Mariela Shaker, whose violin became her entrée card to the United States. At the National Sawdust/Carnegie Hall Neighborhood Concerts co-presentation of the Canales Project’s program "Between Two Worlds," Shaker brought her experiences to the stage through story and sonata.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/LOG-April-2017.jpg 540 960 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-03 17:50:142017-12-27 19:06:50A time for change.
Springtime is here, and with it comes the implementation of the first major changes in this journal since we launched last October. We've worked hard during the first six months of producing The Log to establish a place and a precedent for vivid conversations with and among artists, strong and pertinent essays on topics of broad interest, timely news, and constructive criticism.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/03/Harold-Portrait-9-November-2012-print-large.jpg 3174 3200 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-03-23 21:10:452017-12-27 20:00:12Harold Meltzer and Paul Appleby: The Art of Text Setting
On March 26 at National Sawdust, the composer Harold Meltzer will celebrate his 50th birthday with a program of two substantial recent works. Meltzer sat down recently for an interview conducted by the acclaimed tenor Paul Appleby, a longtime colleague, who questioned him thoroughly regarding his musical development, textual inclinations, compositional influences, and creative process.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/03/Kathryn-Spellman-Poots.jpg 1589 2392 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-03-18 00:08:372017-12-27 20:02:44Kathryn Spellman Poots: Iran, Integration, and Nowruz
"When you look at the Muslim populations in different Western countries, every Muslim community in every Western country has a different experience, based on the way that religion is situated within that country’s frame," Dr. Kathryn Spellman Poots observed during a recent interview. Rather than examining those differences closely, she says, Islam too often is characterized as a singular source of fundamentalist oppression and sectarian violence, a view that results in prejudice and irrational fear, as well as heavy-handed attempts at erecting barriers to no one's benefit.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/03/SNIDER_0005_cWilly_Somma.jpg 2726 4088 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-03-16 21:41:222017-12-27 20:02:50Sarah Kirkland Snider and Nathaniel Bellows: Memories of Unremembered
An hourlong cycle of 13 songs for three vocalists, chamber orchestra, and electronics, 'Unremembered' is the most extensive project to date from the composer Sarah Kirkland Snider, who collaborated with an old friend and renewed acquaintance, Nathaniel Bellows, a noted poet, novelist, singer-songwriter, and illustrator. Now touring the piece, Snider and Bellows sat down recently to trawl through memories of 'Unremembered.'