Meet the NS Artist-in-Residence: Lidiya Yankovskaya, Activist Conductor

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Get to know conductor Lidiya Yankovskaya, whose Refugee Orchestra Project is in residence at National Sawdust this season and performs there on Nov. 12.

Introducing the Hildegard Series

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Announcing The Hildegard Series, an ongoing component of the National Sawdust Log that will focus exclusively on the stories, issues, and activities of female-identifying composers, performers, and professionals involved in the contemporary music world.

Meet the NS Artist-in-Residence: Abraham Brody, Meditative Explorer

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The violinist and composer Abraham Brody felt compelled from an early age to seek out his cultural roots – a journey that has taken him via Vienna to Vilnius and points far beyond, and seen him collaborate with Siberian shamans and the celebrated performance artist Marina Abramović.

Performance Response: Wordless Music Orchestra Plays 'Jackie'

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Live-scoring concerts commonly pair up silent movies with small orchestras. You can’t drown out a silent film and you can’t really get it wrong, since any pairing of sound and image takes you towards a reading.…What the Wordless Music Orchestra pulled off on Friday at National Sawdust was something else entirely.

Meet the NS Curator: David Krakauer, Klezmer Activist

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Globally renowned as a clarinet virtuoso and klezmer maverick, David Krakauer discusses his artistic and cultural journey, the artists and programs he'll bring to National Sawdust, and the ACLU/NYCLU benefit concert he'll present on Sept. 24 at Symphony Space.

National Sawdust Announces Season 3: Origins

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National Sawdust (NS), the unparalleled artist-led incubator in Brooklyn’s Williamsburg neighborhood, has announced the theme of its third season: Origins. Bringing its progressive values to the forefront, the non-profit assembles an extraordinary lineup of multicultural curators from six continents, whose programming celebrates diversity in culture through diversity in music.

In Review: Handel's Aci, Galatea e Polifemo

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“Resist!” could be the 21st-century motto of Handel’s serenata Aci, Galatea e Polifemo, a mythological story of steadfast love cleverly interpreted by the director Christopher Alden as a modern-day tale of bullying and manipulation. The staging, co-produced by countertenor Anthony Roth Costanzo, Cath Brittan, the Philharmonia Baroque Orchestra, and National Sawdust, completes its brief run this week.

Anthony Roth Costanzo and Christopher Alden: The Timeless, Timely Handel

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A curator at National Sawdust from its inception, Anthony Roth Costanzo fashioned one of the most striking presentations of the young organization's inaugural season with 'Orphic Moments.' Now, Costanzo returns to offer Handel's 'Aci, Galatea e Polifemo,' a seldom-encountered dramatic serenata, staged by Christopher Alden, one of the opera world's most insightful, inventive directors.

Vijay Iyer: Taking Stock of the Ojai Music Festival Experience

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"My approach was that, instead of genre, we should talk about community," Vijay Iyer told a near-capacity crowd that filled a local community center in Ojai, California, on a hazy but pleasant Thursday afternoon in early June. The audience had gathered to get to know Iyer: a celebrated composer, improviser, pianist, and bandleader, and the music director of the 2017 Ojai Music Festival. What distinguished a community, he explained, is that it is intergenerational, and continually renewing. The resulting aesthetic, he said, might be one of "openness, welcome, and tolerance."

Jen Shyu: Telling Personal Stories in Global Dialects

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Nine Doors, a full length, multilingual, ritual music drama by Jen Shyu, came about as the result of a self-issued artistic challenge. “I wanted to write for as big a group as I could,” Shyu says, “and then distill it down to a solo.” The new project will have its premiere on June 29 in two concerts at National Sawdust, co-presented with World Music Institute and in association with Asia Society.