https://nationalsawdust.org/thelog/wp-content/uploads/2020/03/Project-featured.jpg 600 900 Rebecca S. Lentjes https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Rebecca S. Lentjes2020-03-06 18:00:432020-03-06 18:18:13New York Philharmonic: Project 19 Opens with Captivating Works
Rebecca S. Lentjes looks back on the first three orchestral programs of "Project 19," the New York Philharmonic's ambitious initiative celebrating the centenary of women's suffrage with new works by 19 distinguished composers.
https://nationalsawdust.org/thelog/wp-content/uploads/2018/08/JLA-banner.jpg 800 1499 Olivia Giovetti https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Olivia Giovetti2018-08-14 17:52:082018-08-14 18:17:31John Luther Adams: An Art Fully Present in the Fullness of the Present Moment
Reflecting on the world premiere of 'In the Name of the Earth' during Lincoln Center's Mostly Mozart Festival, Olivia Giovetti considers method and motivation in the music of John Luther Adams.
https://nationalsawdust.org/thelog/wp-content/uploads/2018/06/dsc_82012306.jpg 635 900 Sarah Cahill https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Sarah Cahill2018-06-21 16:52:032018-06-21 17:02:52Garden of Memory: A Musical Solstice for Everyone
Sarah Cahill, a celebrated pianist, radio host, and journalist based in the Bay Area, shares her thoughts about Garden of Memory, an annual summer solstice event she and friends guide each year in Oakland.
https://nationalsawdust.org/thelog/wp-content/uploads/2018/02/Lidiya-banner.jpg 800 1500 Lidiya Yankovskaya https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Lidiya Yankovskaya2018-02-27 13:54:482018-02-27 14:46:03Refugee Orchestra Project: Artists as Activists in the Modern Era
Conductor Lidiya Yankovskaya describes how working with the Refugee Orchestra Project, which performs at National Sawdust March 4, fosters a view of collaboration as key to mutual understanding and regard.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/12/saxline-splash.jpg 800 1500 Lara Pellegrinelli https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Lara Pellegrinelli2017-12-12 16:32:052017-12-27 18:31:40Women in Jazz: Blues and the Objectifying Truth
Jazz journalist and scholar Lara Pellegrinelli addresses issues of harassment and abuse endured by women in jazz, the #MeToo groundswell, and why recent reports of improvement might be premature.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/12/Met-pit-splash.jpg 800 1500 John Hong https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png John Hong2017-12-04 17:55:442017-12-27 18:32:04Classical Music, Abuse, and Harassment: Reckoning and Response
It was only a matter of time before classical music found itself mired in the sexual harassment and abuse reckoning now sweeping through American industries, from Hollywood to news media, politics, and beyond.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/11/Joel-Cobblestone.jpg 600 799 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-11-16 13:37:342017-12-27 18:32:55Joel Fan: Making New Connections with Open Source Music Festival
Pianist Joel Fan talks about his new Open Source Music Festival, a new cross-genre series aimed at exploration, collaboration, sharing and, ultimately, the reimagination of music.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/07/bas1.png 1050 1509 Adam Sliwinski https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Adam Sliwinski2017-07-26 16:07:192017-12-27 18:36:41So Percussion: David Lang, Music, Mentorship and Emotional Rescue
Developing a career as an artist carries a certain pressure to project inevitability. So Percussion is in the fortunate position of now having a stable career and an established vision. Writing now, I can’t think of how any of this would have happened without David Lang.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/06/NCP_Credit-John-Albert-Harris.jpg 3024 4032 Rebecca S. Lentjes https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Rebecca S. Lentjes2017-06-09 02:25:442017-12-27 19:12:48#HearAllComposers: Straining Our Ears, Amplifying Our Voices
I’ve been writing music criticism since I graduated college in 2012, but about a year ago I made the decision only to review concerts with at least one woman (or trans or nonbinary) composer on the program. I was tired of attending concerts featuring exclusively the music of white men, and tired of frantically sifting through concert season announcements that came in the mail, only to find a single token white woman amidst a sea of white men. People around me were perplexed.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/18451879_10154399546631087_1771347973_o.jpg 1365 2048 Steven Schick https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steven Schick2017-05-11 17:38:312017-12-27 18:38:04Steven Schick: In Pursuit of an Externally Facing Artistic Practice
Making music today must be about nothing less than asserting moral force. It must be about how we — we who have so much and who live so fully — can act responsibly in a world where so many have so little. It must be about the voices too faint to hear.