https://nationalsawdust.org/thelog/wp-content/uploads/2017/12/saxline-splash.jpg 800 1500 Lara Pellegrinelli http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Lara Pellegrinelli2017-12-12 16:32:052017-12-27 18:31:40Women in Jazz: Blues and the Objectifying Truth
Jazz journalist and scholar Lara Pellegrinelli addresses issues of harassment and abuse endured by women in jazz, the #MeToo groundswell, and why recent reports of improvement might be premature.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/12/Met-pit-splash.jpg 800 1500 John Hong http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png John Hong2017-12-04 17:55:442017-12-27 18:32:04Classical Music, Abuse, and Harassment: Reckoning and Response
It was only a matter of time before classical music found itself mired in the sexual harassment and abuse reckoning now sweeping through American industries, from Hollywood to news media, politics, and beyond.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/11/Joel-Cobblestone.jpg 600 799 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-11-16 13:37:342017-12-27 18:32:55Joel Fan: Making New Connections with Open Source Music Festival
Pianist Joel Fan talks about his new Open Source Music Festival, a new cross-genre series aimed at exploration, collaboration, sharing and, ultimately, the reimagination of music.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/07/bas1.png 1050 1509 Adam Sliwinski http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Adam Sliwinski2017-07-26 16:07:192017-12-27 18:36:41So Percussion: David Lang, Music, Mentorship and Emotional Rescue
Developing a career as an artist carries a certain pressure to project inevitability. So Percussion is in the fortunate position of now having a stable career and an established vision. Writing now, I can’t think of how any of this would have happened without David Lang.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/06/NCP_Credit-John-Albert-Harris.jpg 3024 4032 Rebecca Lentjes http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Rebecca Lentjes2017-06-09 02:25:442017-12-27 19:12:48#HearAllComposers: Straining Our Ears, Amplifying Our Voices
I’ve been writing music criticism since I graduated college in 2012, but about a year ago I made the decision only to review concerts with at least one woman (or trans or nonbinary) composer on the program. I was tired of attending concerts featuring exclusively the music of white men, and tired of frantically sifting through concert season announcements that came in the mail, only to find a single token white woman amidst a sea of white men. People around me were perplexed.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/18451879_10154399546631087_1771347973_o.jpg 1365 2048 Steven Schick http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steven Schick2017-05-11 17:38:312017-12-27 18:38:04Steven Schick: In Pursuit of an Externally Facing Artistic Practice
Making music today must be about nothing less than asserting moral force. It must be about how we — we who have so much and who live so fully — can act responsibly in a world where so many have so little. It must be about the voices too faint to hear.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/Giant_Panda.jpg 2592 3456 Xenia Hanusiak http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Xenia Hanusiak2017-04-13 17:46:332017-12-27 18:42:06Calling for a New Soft Diplomacy
The Wall Street Journal recently reported on a gala event held in New York, meant to raise funds to bring a Chinese panda to the city. Meanwhile, in The Guardian Vladimir Ashkenazy called upon British musicians to maintain artistic relationships with Europe, despite any potential barriers imposed by Brexit. Each case illustrates a different approach undertaken to dissolve borders. Both exemplify “soft power."
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/sarahcahill_4_byChristineAlicino.jpg 3744 5616 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-04 19:10:232017-12-27 18:42:15Sarah Cahill: What I Learned As a Music Critic, and Why It Still Matters
Dave’s Coffee Shop on Broadway in Oakland was always the destination for me to meet a deadline. I started going there soon after becoming the classical music critic for the East Bay Express, an alternative weekly, in 1985. After a concert, I would take the bus to Dave’s, open all night, and sit at the counter and order fried eggs and corned beef hash – the kind that comes in a perfect oval patty, and looks and tastes like dog food – and endless refills of coffee. I would sit there and write out the whole review by hand, and then take it home and type it up on my ancient Royal typewriter. It could be five pages or eight pages – however long was necessary to go into great detail and depth.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/LOG-April-2017.jpg 540 960 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-03 17:50:142017-12-27 19:06:50A time for change.
Springtime is here, and with it comes the implementation of the first major changes in this journal since we launched last October. We've worked hard during the first six months of producing The Log to establish a place and a precedent for vivid conversations with and among artists, strong and pertinent essays on topics of broad interest, timely news, and constructive criticism.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/03/29468874401_5a6d9bf163_o.jpg 3648 5472 Kate Outterbridge http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Kate Outterbridge2017-03-15 22:16:152017-12-27 18:42:34Kate Outterbridge: Fostering Creativity and Communal Presence Through Music
“We will deepen the connection between music and mental health through a residency that offers musical performances and group exercises that inspire the creative process, fostering a safe space for openness and expression.” This ambitious statement reflects the mission of my string quartet as we aspire to design a residency program within a hospital setting this spring.