Some people, mainly critics, get very protective of genres. They want an “opera” to have the same type of structure as all the operas they love from the past. I don’t. In fact, I believe if you have trouble categorizing, you may be on to something. It means that you’re experimenting with the form, that you’re allowing content to drive a new approach to form.
About Donnacha Dennehy
Born in Dublin, composer Donnacha Dennehy has had work featured in festivals and venues around the world, including the Edinburgh International Festival, Royal Opera House (London), Carnegie Hall, The Barbican, BAM, Huddersfield Contemporary Music Festival, Dublin Theatre Festival, ISCM World Music Days, WNYC's New Sounds Live, Bang On A Can, Ultima Festival (Oslo), Musica Viva (Lisbon), the Saarbrucken Festival, the Schleswig-Holstein Festival, and the Gaudeamus Festival (Amsterdam).