https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/18451879_10154399546631087_1771347973_o.jpg 1365 2048 Steven Schick https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steven Schick2017-05-11 17:38:312017-12-27 18:38:04Steven Schick: In Pursuit of an Externally Facing Artistic Practice
Making music today must be about nothing less than asserting moral force. It must be about how we — we who have so much and who live so fully — can act responsibly in a world where so many have so little. It must be about the voices too faint to hear.
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Igor Levit, Aaron Dilloway, Zeal & Ardor, Vanessa Rossetto, Kara-Lis Coverdale, Félicia Atkinson, Daniel Corral, and other striking sounds heard lately at Night After Night HQ.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/fractured-niwi.jpg 860 1276 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-05 17:43:042018-05-28 11:13:48Album Review: Vanessa Rossetto, erased de kooning + rocinante
Everything that's erased leaves its trace of its passage behind: a point as familiar to the manuscript recyclers of antiquity to modern-day digital data-recovery sleuths. Deletion rarely amounts to a positive thing, but on 'erased de kooning,' one of two recent recordings by Vanessa Rossetto, an act of bulk erasure results in an absorbing new piece surprisingly rich in ghostly associations.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/05/tignor.jpg 984 1682 Steve Smith https://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-05-04 11:59:072017-12-27 20:02:18Tristan Perich and Christopher Tignor: Intuitive Processes
Though it's not exactly a case of "opposites attract," those who know the music of composer-performers Tristan Perich and Christopher Tignor might not automatically pair the two creators despite a shared association with electroacoustic music and technical ingenuity. Yet in a recent interview in advance of their joint appearance at National Sawdust on May 5, they discovered a healthy amount of overlap in their working methods and philosophies.
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How do you invite an audience into an opera that has no characters to relate to, no story to follow? The inventive director RB Schlather, mounting A Madrigal Opera as the final entry in his engaging, productive National Sawdust residency, approached that challenge in an artfully literal-minded way, mingling members of the stellar vocal ensemble Choral Chameleon among the audience and engulfing them all within an elegantly simple, smartly realized common frame of reference.
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The Art Ensemble of Chicago, Mark McGuire, Leyland Kirby, Marco Fusi, the Boston Symphony Orchestra, Alex Mincek, and other striking sounds heard lately at Night After Night HQ.