https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/PRISM_2.jpg 4000 6000 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-14 18:00:002017-04-19 15:52:20Album Review: PRISM Quartet, Color Theory
The four members of PRISM Quartet have been singleminded in their pursuit of new sonic and stylistic frontiers for their mutual instrument of choice, the saxophone. Alongside strictly four-part inventions, PRISM has engaged in eye- and ear-opening collaborations with other artists and ensembles. Disparate though all these projects might be, what they all share in common is an enviable combination of integrity, individuality, and instant appeal.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/Giant_Panda.jpg 2592 3456 Xenia Hanusiak http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Xenia Hanusiak2017-04-13 17:46:332017-04-13 17:58:36Calling for a New Soft Diplomacy
The Wall Street Journal recently reported on a gala event held in New York, meant to raise funds to bring a Chinese panda to the city. Meanwhile, in The Guardian Vladimir Ashkenazy called upon British musicians to maintain artistic relationships with Europe, despite any potential barriers imposed by Brexit. Each case illustrates a different approach undertaken to dissolve borders. Both exemplify “soft power."
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/Kelly-Moran.jpg 828 1250 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-07 22:46:082017-04-14 15:29:01Album Review: Kelly Moran, bloodroot
What does a breakthrough sound like? To borrow a tetchy old turn of phrase, you might not know how to define it, but you know when you hear it. And bloodroot, newly released by Kelly Moran, a New York-based composer and multi-instrumentalist, absolutely qualifies.
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Change appears to be coming, in some form or another, to Spectrum, the intimate Ludlow Street performance space that over the last five or so seasons has provided a home base for fascinating musical voyages spanning an unusually broad range of styles.… Perhaps because of that hovering uncertainty, a pair of recent recitals by the pianists R. Andrew Lee and Sophia Subbayya Vastek seemed brushed with a sense of anticipatory valediction.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/sarahcahill_4_byChristineAlicino.jpg 3744 5616 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-04 19:10:232017-04-04 19:24:24Sarah Cahill: What I Learned As a Music Critic, and Why It Still Matters
Dave’s Coffee Shop on Broadway in Oakland was always the destination for me to meet a deadline. I started going there soon after becoming the classical music critic for the East Bay Express, an alternative weekly, in 1985. After a concert, I would take the bus to Dave’s, open all night, and sit at the counter and order fried eggs and corned beef hash – the kind that comes in a perfect oval patty, and looks and tastes like dog food – and endless refills of coffee. I would sit there and write out the whole review by hand, and then take it home and type it up on my ancient Royal typewriter. It could be five pages or eight pages – however long was necessary to go into great detail and depth.
https://nationalsawdust.org/thelog/wp-content/uploads/2017/04/LOG-April-2017.jpg 540 960 Steve Smith http://nationalsawdust.org/thelog/wp-content/uploads/2017/10/national-sawdust-log.png Steve Smith2017-04-03 17:50:142017-04-04 16:43:22A time for change.
Springtime is here, and with it comes the implementation of the first major changes in this journal since we launched last October. We've worked hard during the first six months of producing The Log to establish a place and a precedent for vivid conversations with and among artists, strong and pertinent essays on topics of broad interest, timely news, and constructive criticism.
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Pere Ubu, Latitude 49, Julia Holter, Dag Rosenqvist & Matthew Collings, Jason Moran, Tom Carter, and other striking sounds heard lately at Night After Night HQ.