About the Show
Doors at 5:30pm
“Encounters in the Republic of Heaven”
Encounters is an 8-channel sound-surround piece based on speaking voices recorded in the North East of England where Trevor Wishart was A.C.E. Composer-in-Residence from October 1st, 2006 to September 2009, based at the University of Durham. The piece is constructed in 4 Acts of approximately 20 minutes each, combining portraits of individual speakers (accompanied by sounds and imaginary instruments derived from the voices themselves) with computer animation of the entire community of voices – speech that waltzes, speech that locks in harmony, clouds of speech that circle the audience, culminating with speech that transforms into song. The piece was finally completed on January 1st 2011.
ACT 1 (c. 20mins)
Voicewind
The Fisherman’s Tale
Children’s Stories I
Speech Waltzing
The Budgie
The Bellydancer
Finale
ACT 2 (c. 17mins)
Teens Gossip
The Dancer’s Tale
Clouds of Speech
Travelling Butcher
Children’s Stories II
Finale
ACT 3 (c. 23mins)
Voicewind
The Farmer’s Tale
Heathcliffe, come here!
Speech harmonised
The Stories I Hear!
The Soldier’s Tale
Finale
ACT 4 (c. 15mins)
The Poet’s Tale
The best thing that ever happened to me
Finale – Speech Singing – Voicewind
http://www.trevorwishart.co.uk/
https://en.wikipedia.org/wiki/Trevor_Wishart
Other Winter Highlights
Bridging the Gap II
January 22, 2017 - 4:00pm Featuring composers from the Yale School of Music: Martin Bresnick, Michael Gilberston, Balint Karosi, and Aaron Jay Kernis.
Lost Spring
March 3, 2017 - 7:00pm One hundred years after the Armenian Genocide, a mother must explain this troubled history to her daughter. But how does one explain inhuman cruelty to innocence itself? Mixing theater, dance, and live music, and further brought to life by the visuals of artist Kevork Mourad, this multi-disciplinary creation is the poetic journey of a woman in quest of her history, in quest of meaning, in quest of a lost spring…
Prototype Presents: Funeral Doom Spiritual
January 14, 2017 - 7:00pm Funeral Doom Spiritual is a song of mourning for what Anthony Paul Farley calls “the motionless movement of death through slavery, segregation, and neo-segregation.” This new monodrama composed by M. Lamar and Hunter Hunt-Hendrix draws on themes of apocalypse, end times, and rapture found in Negro Spirituals, what Lamar calls “Doom Spirituals.”
Bridging the Gap V
June 04, 2017 - 7:00pm Featuring music by Robert Sirota, Jonathan Bailey Holland, and Angel Lam.
Sxip Shirey presents: Trevor Wishart
March 25, 2017 - 6:30pm Encounters is an 8-channel sound-surround piece based on speaking voices recorded in the North East of England where Trevor Wishart was A.C.E. Composer-in-Residence from October 1st, 2006 to September 2009, based at the University of Durham. The piece is constructed in 4 Acts of approximately 20 minutes each, combining portraits of individual speakers (accompanied by sounds and imaginary instruments derived from the voices themselves) with computer animation of the entire community of voices - speech that waltzes, speech that locks in harmony, clouds of speech that circle the audience, culminating with speech that transforms into song. The piece was finally completed on January 1st 2011.
Women in Music: A Tribute to Mercedes Sosa
March 2, 2017 - 7:00pm Magos Herrera brings together an international line up to celebrate the life and music of the iconic Latin American singer Mercedes Sosa.
A Mouth is Not for Talking: La voix humaine
March 10, 2017 - 7:00pm In this theatrical concert, Poulenc and Cocteau’s cautionary tale La voix humaine receives a reflective update when paired with world premiere songs from Forrest Pierce’s The Burning Harp, set to texts of Rumi. Soprano Laura Bohn and pianist Mila Henry’s dual conversation forces listeners to ask: in this age of technology, can we connect with others without losing ourselves?
Spring Revolution: Amanda Gookin
March 1, 2017 - 7:00pm The Forward Music Project is driven by social justice for women. We musicians, now more than ever, have an incredible ability to effect change in our communities. The seven FMP composers were commissioned to write pieces based on their personal story or a particular issue that affects women and girls. The compositions are stylistically contrasting and represent the vast definition of what it means to be a woman, ranging from empowerment and issues of the LGBTQ+ community, to reproductive rights, and violence against women. A visceral experience, the composers require that she embodies the spirit of their message mentally, emotionally, and physically. In performance Amanda sings, chants, breathes, and sweats life into these works.
Josh Green & The Cyborg Orchestra
March 2, 2017 - 10:00pm Josh Green & The Cyborg Orchestra will take on full-blooded human form for the live debut and release of their irreverent album, Telepathy & Bop — a quirky, colorful, approach to melding modern jazz and contemporary classical music.
Michael Gordon / Rushes Ensemble
January 26, 2017 - 7:00pm Composed for seven bassoons, Rushes takes its place alongside Michael Gordon’s Timber for expanding the boundaries of a single instrument’s repertoire into unknown (and at times, otherworldly) spaces. Like Timber, which maps new percussive territory for the simantra—a simple two-by-four slab of wood, amplified and played in a group of six to yield trance-like sonic textures—Rushes brings out tonal and timbral aspects of the bassoon that are meant to induce a quasi-meditative, almost ecstatic state, in the listener as well as the performer.
Ritz Chamber Series Vol. 1
January 29, 2017 - 4:00pm THE RITZ CHAMBER PLAYERS is hailed by the e Baltimore Sun as “one of the most interesting and dynamic ensembles to emerge in recent years.” Boasting some of the world’s preeminent musicians spanning the African diaspora, it brings a fresh, new energy to the classical music genre.
New York Philharmonic Presents: Contact!
January 23, 2017 - 7:30pm Celebrating its 175th Anniversary season and the city that has shaped its history and guides its future, the New York Philharmonic returns to National Sawdust this spring with two programs focusing on composers who have called New York home. From revered figures such as Carter and Druckman, to major voices of today such as David Lang and Steve Mackey, to newer voices such as Zosha di Castri and David Fulmer, the musicians of the New York Philharmonic present a snapshot of New York past, present and future.
