Sxip Shirey Presents:
Baby Dee
Thursday, February 23rd @ 7pm
About the Show
Leonard Cohen wrote one “Hallelujah”, Baby Dee has written twenty of them.
Baby Dee is an enchanting song writer, classically trained harpist, circus sideshow veteran, and west side street legend Her infectious cackle and extraordinary talent on piano, harp and accordion has caught her many musical admirers including Will Oldham, Matt Sweeney, Maxim Moston, and Andrew WK, all of whom have produced unique and magnificent albums for her.
With special guests, including London composer Sarah Angliss and her robotic carillon, Theo Bleckman with Rima Fand, Sarah Alden with Ilusha Tsinadsze, baroque singer Lacy Rose, Blake Norris and your host Erin K. Orr.
http://www.babydee.org
http://www.tinangelrecords.com
http://www.sarahangliss.com
http://www.theobleckmann.com
http://www.sarahaldenmusic.com
http://lacyrosemusic.com/
Other Winter Highlights
Women in Music: A Tribute to Mercedes Sosa
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Bridging the Gap IV
April 30, 2017 - 7:00pm Composers from the Yale School of Music: William Gardiner, Paul Kerekes, David Lang, Hannah Lash, Daniel Schlosberg, and Christopher Theofanidis.
Doug Fitch’s Art Gallery Variety Show
March 3, 2017 - 10:00pm This being the first edition of Doug Fitch’s Art Gallery Variety Show, we begin in the bubble of comfort of our own little room – so nice to come home to – only to find certain outside influences more pernicious and pugnacious than one might have envisioned. The demons of disingenuity are swarming about, filling the void with fallacious authenticity and threatening our exceptionalist contentment. Following a story-esque through-line presented in songful vignettes and other musical vehicles, some of the city’s most talented performers and cultural barometers inhabit National Sawdust, offering uplift in this downful time.
James Rhodes
February 8, 2017 - 7:00pm Immortal piano music by history's finest composers performed in an intimate setting with the lights down low and an opportunity to disappear and escape from the world for an hour and a half. Along with a few jokes. And a bit of historical context.
Alternative Guitar Summit 2017: Guitars of Heaven, Guitars of Hell
March 15, 2017 - 7:00pmFounded and produced by Joel Harrison and Life Force Arts, The "Summit" is a yearly gathering of some of the most creative guitarists on earth.
Prototype Presents: Funeral Doom Spiritual
January 13, 2017 - 7:00pm Funeral Doom Spiritual is a song of mourning for what Anthony Paul Farley calls “the motionless movement of death through slavery, segregation, and neo-segregation.” This new monodrama composed by M. Lamar and Hunter Hunt-Hendrix draws on themes of apocalypse, end times, and rapture found in Negro Spirituals, what Lamar calls “Doom Spirituals.”
yMusic: Freshly-Minted
February 5, 2017 - 3:00pm Hailed by NPR’s Fred Child as “one of the groups that has really helped to shape the future of classical music,” yMusic is a group of six New York City instrumentalists flourishing in the overlap between the pop and classical worlds. Their virtuosic execution and unique configuration (string trio, flute, clarinet, and trumpet) has attracted the attention of high profile collaborators—from Ben Folds to Dirty Projectors to Jose Gonzalez—and inspired an expanding repertoire of original works by some of today’s foremost composers, including Nico Muhly and Andrew Norman.
Ferus Festival: Sxip Shirey’s A Bottle of Whiskey and a Handful of Bees
January 9, 2017 - 7:00pm National Sawdust’s in-house record label VIA Records celebrates its release of the new album by composer, producer, interdisciplinary performer, and NS curator Sxip Shirey.
BMP Presents: Sound from the Bench
February 3, 2017 - 7:00pm A single sentence from the Iraq War Logs, wealth distribution and privilege, the Supreme Court’s Citizens United decision, and the 2013 case of rape by high school students in Steubenville, Ohio: inspirations all for the music of Ted Hearne.
The New American Songbook
January 11, 2017 - 7:00pm The quarterly web magazine for experimental music, Sound American, moves from the text to the sonic in order to answer the question: “What does a truly modern American Songbook sound like?”
