John Zorn's Stone Commissioning Series presents: Jen Shyu
6pm doors • 7pm show
New Music. New Jazz. Curated by John Zorn.
The John Zorn Commissioning Series celebrates The Stone, Zorn’s revolutionary venue “dedicated to the experimental and avant-garde”, which served as a vital spot for new music in the East Village for over a decade. Held on the last Wednesday of every month, National Sawdust honors the spirit of The Stone, hosting artists selected by John Zorn presenting world premieres of new works.
This month’s concert features groundbreaking composer, multi-instrumentalist, dancer, and vocalist Jen Shyu and her new solo multilingual, multimedia drama, ZERO GRASSES, directed by Alexandru Mihail with set and projection design by Kristen Robinson and Kate Campbell, costume design by Elizabeth Caitlin Ward, and lighting design by Solomon Weisbard.
In Jen’s partnership with WEARTH, a tree will be planted for every ticket sold!
Photo by Caterina Di Perri
Jen Shyu (“Shyu” pronounced “Shoe” in English, Chinese name: 徐秋雁, Pinyin: Xúqiūyàn) is a groundbreaking, multilingual vocalist, composer, producer, multi-instrumentalist, dancer, 2019 Guggenheim Fellow, 2019 United States Artists Fellow, 2016 Doris Duke Artist, and was voted 2017 Downbeat Critics Poll Rising Star Female Vocalist. Born in Peoria, Illinois, to Taiwanese and East Timorese immigrant parents, Shyu is widely regarded for her virtuosic singing and riveting stage presence, carving out her own beyond-category space in the art world. She has performed with or sung the music of such musical innovators as Nicole Mitchell, Anthony Braxton, Wadada Leo Smith, Steve Coleman, Vijay Iyer, Bobby Previte, Chris Potter, Michael Formanek and David Binney. Shyu has performed her own music on prestigious world stages such as Carnegie Hall, Lincoln Center, Brooklyn Academy of Music, the Metropolitan Museum of Art, Rubin Museum of Art, Ojai Festival, Ringling International Arts Festival, Asia Society, Roulette, Blue Note, Bimhuis, Salihara Theater, National Gugak Center, National Theater of Korea and at festivals worldwide.
A Stanford University graduate in opera with classical violin and ballet training, Shyu had already won many piano competitions and performed the Tchaikovsky Piano Concerto (3rd mvmt.) with the Peoria Symphony Orchestra by the age of 13. She speaks 10 languages and has studied traditional music and dance in Cuba, Taiwan, Brazil, China, South Korea, East Timor and Indonesia, conducting extensive research which culminated in her 2014 stage production Solo Rites: Seven Breaths, directed by renowned Indonesian filmmaker Garin Nugroho. Shyu has won commissions and support from NYSCA/NYFA Artist Fellowship, Doris Duke Charitable Foundation, MAP Fund, US-Japan Creative Artists Fellowship from Japan-US Friendship Commission and National Endowment for the Arts, Jerome Foundation, Chamber Music America’s New Jazz Works, Exploring the Metropolis, New Music USA, Jazz Gallery, and Roulette, as well as fellowships from the Fulbright Scholar Program, Civitella Ranieri Foundation, Asian Cultural Council, Hermitage Artist Retreat, Yaddo, MacDowell Colony, Korean Ministry of Foreign Affairs and Korean Ministry of Sports, Culture, and Tourism.
Shyu has produced seven albums as a leader, including the first female-led and vocalist-led album Pi Recordings has released, Synastry (Pi 2011), with co-bandleader and bassist Mark Dresser. Her critically acclaimed Sounds and Cries of the World (Pi 2015) landed on many best-of-2015 lists, including those of The New York Times, The Nation, and NPR. Her latest album Song of Silver Geese (Pi 2017) is receiving rave reviews and was also included on The New York Times’ Best Albums of 2017.
Even with the acclaim she has received for her recordings, Shyu is just as renowned for her dynamic performances. Ben Ratliff wrote in The New York Times that her concerts are “the most arresting performances I’ve seen over the past five years. It’s not just the meticulous preparation of the work and the range of its reference, but its flexibility: She seems open, instinctual, almost fearless.” Her duo performance with Tyshawn Sorey was among The New York Times’ Best Live Jazz Performances of 2017. Larry Blumenfeld wrote in the Wall Street Journal that “her voice, a wonder of technical control and unrestrained emotion, tells a story dotted with well-researched facts and wild poetic allusions. She claims both as her truths.”
Currently based in New York City, Shyu is on the Artistic Advisory Council of Roulette Intermedium and is a member of the We Have Voice Collective, which released its Code of Conduct for the Performing Arts on May 1, 2018. She premiered her latest solo work Nine Doors at National Sawdust June 29, 2017, kicking off a 50-state U.S. tour of “Songs of Our World Now / Songs Everyone Writes Now (SOWN/SEWN),” planting seeds of creativity and threading communities together through art and cultural exchange. Her next solo work, Zero Grasses, premieres October 30, 2019, at National Sawdust as part of John Zorn’s Commissioning Series. Jen Shyu is a Steinway Artist.
Her current instruments in performance include piano, violin, Taiwanese moon lute (2 strings), Chinese er hu (2 strings), Japanese biwa (4 strings), Korean gayageum (12 strings), Korean soribuk (drum), and Korean gong called “ggwaenggwari.”