In concert, Mr. Costanzo appeared in the New York Philharmonic’s acclaimed production of Le Grand Macabre, performed Handel’s Messiah, Bernstein’s Chichester Psalms and Orff’s Carmina Burana with The Cleveland Orchestra, and sang Messiah at Carnegie Hall. He has also appeared in concert with the International Contemporary Ensemble (ICE) at both the Mostly Mozart Festival and the Metropolitan Museum of Art, with Jordi Savall in Barcelona, Paris, and Versailles, with Ian Bostrdige and Julius Drake at the Teatro Real, and at the Spoleto Festival USA. In addition he has been a featured soloist with the orchestras of Indianapolis, Alabama, Detroit, Denver, Seattle and with the National Symphony Orchestra. He has also been presented in recital in Vancouver, Princeton University Concerts, Duke Performances, and at the Morgan Library in New York.
A champion of new work, Mr. Costanzo recently created roles in the world premieres of Jimmy Lopez’ Bel Canto at the Lyric Opera of Chicago and Jake Heggie’s Great Scott at the Dallas Opera. He has also premiered works written for him by Matthew Aucoin, Paola Prestini, Gregory Spears, Suzanne Farrin, Bernard Rands, Scott Wheeler, Mohammed Fairouz, and Steve Mackey. In the spring of 2017 will premiere a new work by Nico Muhly in Boston.
Mr. Costanzo is passionate about interdisciplinary collaboration, and recently helped create two unique presentations of The Tales of Genji with sold-out runs in Kyoto that incorporated traditional Kabuki, Noh actors, dancers and western music. He also created a pasticcio about castrati in collaboration with choreographer Karole Armitage and filmmaker James Ivory which was chronicled by the documentarian Gerardo Puglia. The subsequent film was selected for the Cannes Film Festival, qualified for an Academy Award, and aired on PBS affiliates. Mr. Costanzo played Francis in the Merchant Ivory film, A Soldier’s Daughter Never Cries, for which he was nominated for an Independent Spirit Award, and Simon in Brice Cauvin’s De particulier a particulier. Working with composers, choreographers, directors and performance artists, he has appeared in New York venues such as Le Poisson Rouge, The Metropolitan Museum of Art, Joe’s Pub, The Park Avenue Armory, The Guggenheim Museum, and Merkin Concert Hall.
In 2012, Mr. Costanzo won first place in Placido Domingo’s international competition Operalia. He is also a 2009 Grand Finals Winner of the Metropolitan Opera National Council Auditions. He won a George London Award, received a career grant from the Richard Tucker Foundation, and became the first countertenor to win First Place in the Houston Grand Opera Eleanor McCullom competition, where he also won the audience choice prize. He received a Sullivan Foundation Award, and won First Place in the Opera Index Competition, the National Opera Association Vocal Competition, and the Jensen Foundation Competition.
Mr. Costanzo graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts and where he has returned to teach both a course and master classes. He received his Masters of Music at Manhattan School of Music and won the Hugh Ross Award for a singer of unusual promise. In his youth, he performed on Broadway and in Broadway National Tours including A Christmas Carol, The Sound of Music, and Falsettos. He began his operatic endeavors playing Miles in The Turn of the Screw, and with an appearance alongside Luciano Pavarotti.