Press

July 20th, 2017

“Artistically, [National Sawdust’s] young and novel presence on the New York scene has been a smashing success.”

The New Yorker

July 14th, 2017

“Director Christopher Alden wrings every bit of unsettling darkness from this curious work in an excitingly contemporary production that employs inventive videos and even electronic tweaks of the instruments in the orchestra.”

The New York Times

July 10th, 2017

“[Countertenor Anthony Roth Costanzo] has this super pianissimo that just stops traffic. National Sawdust is a more ideal space than the massive Met to experience it.”

The New York Times

July 9th, 2017

“Always a pleasure to visit and revel in the exquisite sonics at National Sawdust.”

Lucid Culture

July 7th, 2017

“The new Establishment [of classical music]…includes Paola Prestini, the founding artistic director of National Sawdust.”

New York Magazine/Vulture

July 5th, 2017

“The vocally brilliant and dramatically fearless countertenor Anthony Roth Costanzo, working with the innovative opera director Christopher Alden, comes to National Sawdust in Brooklyn with a staged version of a Handel rarity: the 1708 dramatic serenata “Aci, Galatea e Polifemo.”

The New York Times

July 2nd, 2017

“Cutting-edge chamber opera is prominent at the stylish Williamsburg music club for the next two weeks.”

The New Yorker

June 25th, 2017

“During the sets, people are utterly silent; no one visits the restrooms; no one goes to buy a drink. The performances have our full attention, and the improvisational approaches are all the more exciting as the musicians experiment through their technology.”

Echoes and Dust

June 11th, 2017

“At National Sawdust in Williamsburg on Friday, the legendary avant-garde [William Basinski]’s music was confounding, overwhelming, and—just for a moment—eternal.”

VICE

May 29th, 2017

“This artist-led, non-profit music venue is cutting-edge in many ways… it has the music community of New York incredibly excited. Ideal for music lovers.”

Urbanologie

May 5th, 2017

#2 on the WSJ’s “Insider’s Guide to Brooklyn”

Wall Street Journal

February 10th, 2017

“National Sawdust has become more than a just place to see engaging contemporary music of all stripes. The Williamsburg venue has embraced its role as an educational space, with engaged programming that links the music to broader social issues.”

TimeOut New York

January 10th, 2017

“The buzz has shifted to National Sawdust, an artist-run nonprofit venue that opened in fall 2015 in Williamsburg.”

The Washington Post

December 23rd, 2016

“At its core, National Sawdust is a retooling of the 18th-century chamber hall model as an incubator for new music.”

The Architects Newspaper

August 31st, 2016

“National Sawdust… quickly establish[ed] itself as the preeminent presenter and resource for an eclectic diversity of downtown and contemporary concert music composers and performers.”

I Care If You Listen

June 27th, 2016

“National Sawdust has world-class sonics and is a perennially enjoyable place to take in a show.”

New York Music Daily

December 9th, 2015

“[National Sawdust] has been open only a few months. But it already feels like an invaluable part of the New York music scene.”

The New York Times

October 6th, 2015

“Nothing quite like [National Sawdust] exists in New York City, or anywhere else in the world, and it must be seen (and heard) to be believed indeed.”

The Village Voice

October 2nd, 2015

“National Sawdust, a deluxe live-music pod floating inside an old brick box in Williamsburg… seemed tough and full of magic.”

New York Magazine

Press Contact

21C Media Group
Max Lefer & Katie Griffin
mlefer@21cmediagroup.com
kgriffin@21cmediagroup.com
212-245-2110